Semester Specific Course Descriptions

SPRING 2010

 

AFS

BIOCH

CHIN

CS

ENVS

GEOL

GOVT

MATH

ODST

PSYC

ANTH

BIOL

CLAS

ECON

FA

GER

HIST

MUS

PCA

REL

ARAB

CBL

CNS

EDUC

FILM

GNDR

JAPN

ND

PHIL

SOC

ASIAN

CHEM

 

ENG

FR

GS

LTRN

NRSCI

PHYS

AfAmSt

 

 

AFRICAN STUDIES

AFS 148 A:  East African Dance and Culture

This full unit course is designed to pursue an introductory level of specific ethnic dance forms of east Africa. These include the Mijikenda, Luo, Kikuyu, Pokomo, Luhya, Maasai, Kamba of Kenya, Haya of Tanzania and Baganda of Uganda among others. The dance cultures will be introduced from theoretical and aesthetic perspectives based upon historical material and video clips. Students will do theoretical and practicum quizzes within the semester. The final exam will be a performance of one dance with drumming and singing to be performed by all the students. Students registering this course should be ready to dance vigorously!

On completion of the course, students should be able to

 

·        Understand and appreciate basic cultural practices of East African people.

 

·        To acquire the basic principles of African choreography

 

·        Appreciate dance as an art form and a means of communication

 

·        Understand the historical and cultural expression of dance in east Africa

 

·        Understand dance as embodied knowledge.

 

·        Perform an African dance on a stage.

 

 

AFS 248A/SOC 248A: SPTP-Making of Modern Africa

Being at the center of the Atlantic complex, Africa has always been part of the modern world. At the same time, Africa is imagined as a perpetual late-arrival to the modern condition. As much as the two positions appear to be contradictory and mutually exclusive, it is important to see them as two sides of the coin. It is Africa’s position in the origin of the modern world that also turns it into a permanent new comer. Conversely, it is the congenital infantilism of Africa that underscores its relational locus in the genesis of the modernity.  Based on this underlying dilemma, this course follows the historical trajectory of the making of modern Africa. The course examines 19th century notions such as: Mission of Civilization, the White Man’s Burden, 20th century programs such as Development, Modernization, Dependency and 21st century ideals of Democracy, Human Rights, Rule of Law and Transparency.

 

AFS 248B/FR 248A: SEM- Wo/manhood and Nation-Building

What roles do African men and women play in the making and unmaking of the nation? How does the personal overlap with the political and the national? Through a close examination of Francophone African novels and films, this course explores the connection between manhood, womanhood and nation. We will look at Africans as individuals and collective groups and discuss the extent to which their roles and relationships in the family and in the community shape the nation’s destiny. In our discussions we will take into account the categories of gender, class, and sexuality, and the cultural and historical contexts into which different actors play. The texts to be studied are: Mariama Ba’s So Long A Letter (1981), Calixthe Beyala’s The Sun Hath Looked Upon Me (1996), and Malika Mokeddem’s Of Dreams and Assassins (2000). The films are Adama Drabo’s Taffe Fanga (Skirt Power) (1997) and Ousmane Sembène’s Xala (The Curse) (1975).

 

AFS 348 A/ANTH 348 A: SPTP-Popular Culture in Africa

This course focuses on the many different forms of “popular culture” such as songs, plays, films, and paintings, produced and circulated by amateur and professional artists, musicians, actors, and directors in Africa. We will study these productions as forms of entertainment and artistic expression, but more importantly as efforts to make sense of the world, offer critical commentaries, construct social identities, and take political action. In addition to developing a theoretical understanding of popular culture, we will address themes such as gender, ethnicity and nationality, wealth and power, globalization, protest and resistance, and war. Prerequisite ANTH 102 or ANTH 225 or AFS 101 or permission of instructor.

 

 

ANTHROPOLOGY

ANTH 248/ ASIA 248A: SPTP-Ancient India

This course explores the rich past of the South Asian subcontinent by examining the archaeology and early history of India, Pakistan, Sri Lanka, and Bangladesh from its cultural beginnings up to the first centuries AD.  We will investigate the earliest physical evidence for human settlement on the subcontinent, the origins of agriculture and urban life, and the growth of religions like Hinduism, Buddhism, and Christianity.  The course also covers the Indus Valley civilization, the Vedic period, the states and cities of the Indo-Gangetic plain, the rise of the Mauryan Empire, and the ancient maritime trade between South India and the Roman Empire.

 

ANTH 304 A: Language, Culture and Society

Ever notice that some people talk funny? Ever feel confused when someone thinks you talk funny? Why does everyone but you have an accent? And what’s really wrong, with, like, saying “like” like that? This course examines social and cultural aspects of language use, misuse and abuse, concentrating on issues such as ethnicity, social class, gender and power in language access and use patterns both across cultures and within the United States, and examines different genres of language performance (jokes, gossip, cursing behavior, proverbs, etc.) as linguistic vehicles of social control. Prerequisite: ANTH 102 or 205 or permission of the instructor.

 

ANTH 348 A/AFS 348 A: SPTP-Popular Culture in Africa

This course focuses on the many different forms of “popular culture” such as songs, plays, films, and paintings, produced and circulated by amateur and professional artists, musicians, actors, and directors in Africa. We will study these productions as forms of entertainment and artistic expression, but more importantly as efforts to make sense of the world, offer critical commentaries, construct social identities, and take political action. In addition to developing a theoretical understanding of popular culture, we will address themes such as gender, ethnicity and nationality, wealth and power, globalization, protest and resistance, and war. Prerequisite ANTH 102 or ANTH 225 or AFS 101 or permission of instructor.

 

ANTH 365 A: Forensic Anthropology

How can bones help forensic scientists identify long-dead people? What is the role of forensic anthropologists in mass disaster and human rights investigations? Do shows such as “Bones” and “CSI” accurately reflect the role of forensic investigators? Through hands on experience, students will learn how forensic anthropologists use skeletal materials and biological principles to recover, identify and evaluate human skeletal remains. By the end of the course, students will have basic knowledge of the history and goals of forensic anthropology, human osteology, and an awareness of issues relating to the search, discovery and recovery of human skeletal remains. Prerequisite ANTH 290 or permission of the instructor.

 

 

ARAB

no course descriptions this semester

 

 

ASIAN STUDIES

ASIA 212/FA 212 A: Icons-Islamic Architecture

This course critically examines the past and contemporary reception of an icon of Islamic architecture – the Taj Mahal – in art, politics, and society. Since its construction as a tomb of an influential empress in 17th century India, the Taj has become an object of fantasy for 18th century European travelers, model for British colonial architecture, major tourist attraction, and source of inspiration for visual artists and art collectors, the advertisement industry, film makers and musicians all over the world. Today its site is heavily contested by religious and political groups with competing interests, archeologists, and conservationists. After studying the synthesis of styles and techniques contained in this exceptional monument, we will use the Taj to discuss the political role of monuments in general and to think about gender roles in Islam, the place of Islam in contemporary India, effects of tourism and pollution, and issues of cultural heritage and identity.

 

ASIA 234A/LTRN234A/FILM 234A:  Chinese Literature and Film.

This course provides an overview of Chinese literature and film. The first half of this course surveys traditional Chinese literature with a focus on masterpieces in the golden age of various genres, such as poetry in the Tang, lyric in the Song, drama in the Yuan, and fiction in the Ming and Qing Dynasties. The second half introduces modern Chinese literature with a focus on film, including the representative works by well known writers Lu Xun, Ba Jin, and famous film directors such as Zhang Yimou, Chen Kaige, Wang Xiaoshuai, and others. This course aims at enhancing students’ interests and skills in reading and analysis of Chinese literature and film, and it also seeks to improve students’ understanding of the history, society, and culture of China. All works are read in English translation. Also offered through Literature in (English) Translation, Film Studies, and Asian Studies.

 

ASIA 248A/ANTH 248 A: SPTP-Ancient India

This course explores the rich past of the South Asian subcontinent by examining the archaeology and early history of India, Pakistan, Sri Lanka, and Bangladesh from its cultural beginnings up to the first centuries AD.  We will investigate the earliest physical evidence for human settlement on the subcontinent, the origins of agriculture and urban life, and the growth of religions like Hinduism, Buddhism, and Christianity.  The course also covers the Indus Valley civilization, the Vedic period, the states and cities of the Indo-Gangetic plain, the rise of the Mauryan Empire, and the ancient maritime trade between South India and the Roman Empire.

 

ASIA248C/SOC248C: SPTP- China's Market Transition

The last two decades of the 20th century brought about unprecedented political and economic changes to the former communist countries of Eastern and Central Europe and China. The magnitude of these changes is extraordinary, affecting close to a fourth of the Earth’s land area and one out of every four people on the planet. Although traditionally not referred to as developing countries, China and those former communist countries have undoubtedly embarked on the path of capitalist market development, with economic and political changes affecting their societies in the most profound ways. This course will focus on China’s transformation from a planned economy to a more market-oriented economy, and examine the changes in the social fabrics in tandem with the economic transition. We will also compare China with the former communist countries in Eastern and Central Europe. Specifically, we will look at some of the theories of market reforms formulated by sociologists, examine the process of privatizing formerly state-owned enterprises, and discuss the role of entrepreneurs and social networks. We will also address the effect the reforms have had on social classes, genders and ethnic minorities.

 

ASIA 247 D/GNDR 247D/ FILM 247 D: SPTP-Gender in East and West

Often we can learn the most about our own culture by comparing it to another culture, and this is certainly true when we study women and men.  Although a couple of countries in East Asia have approached the U.S and Europe in economic development, the East and West tend to have different gender relations. Through a careful examination of popular cultures—primarily films—this course will compare modern gender relations in selected eastern and western countries, with an emphasis on Japan and the U.S. Tracing the historical development of gender construction, we will analyze how gender is constructed/reconstructed through cultural representation.We will examine such questions as: How does cultural representation work to construct gender?  How do representation, nationalism and gender identity work to reinforce each other in each culture? And how have women’s movements contested and changed these gender identities?

 

ASIA 282A/ REL 282 A: Indian Epics

 To convey the foundational importance of India‘s two best-known epics, the scholar A.K. Ramanujan once remarked, ―In India and Southeast Asia, on one ever reads the Ramayana or the Mahabharata for the first time. The stories are there, always already‘. In order to understand their significance in South Asisa and beyond, and to appreciate their richness and depth, this class will examine the Mahabharata and the Ramayana in their classical Sanskrit versions (abridged and translated!) as well as in oral, vernacular, performed and artistic versions. It will also consider several other South Asian epics, such as the tales of Pabuji and Palnadu.

 

ASIA 290A/ GOVT 290A: SEM- Asian Politics

Asia is currently one of the most dynamic and consequential regions in the world. This course looks at Asia through the lens of international political economy, region building, the colonial experience, encounters with the “west,” and regime orientation (democratic or authoritarian), to make sense of this vast and diverse area. In frequently moving between framework and individual country case(s), this course aims to provide students with historical and analytical frameworks to better understand Asia as a region and its role within the global context. An equally important aim is to provide the conceptual and organizational tools necessary for students to appreciate good research and to begin practicing the craft themselves.

 

ASIA 319A/ FA 319A: Gender Issues in Asian Art

This upper level, seminar-style course explores gender issues in relationship to the visual arts in Asia. In class students discuss, and debate about, art historical literature that applies feminist theories to interpret historical examples of Asian art and contemporary Asian art in global contexts. Major themes include: the representation of gender relations in art, architecture, and film, the influence of gender constructs on the making and viewing of art, changing roles of women in society, and the relationship of gender, art, and religion. No pass/fail option available

 

ASIA 322A/ GOVT 322A: Govt & Politics People Republic of China

This course is designed to be a comprehensive introduction to the politics of the People’s Republic of China. The course first introduces the student to the political geography of China, its current perceived status in the international community, and essential background history for understanding Chinese politics today. Next, it investigates the nuts and bolts of contemporary Chinese institutions to get a good feel for how the Chinese conceptualize and practice politics. Finally, the course examines important issues and trends facing China at present. Throughout the course, contemporary vignette pieces will be offered both to stimulate students’ thinking for a research project and to connect theoretical frameworks presented in class to current problems facing China. The fundamental objective of this course is to provide students with a basic fluency in the politics of China.

 

ASIA 333A/ REL 333 A: Goddesses  

Over the past 20 years, a vast scholarly literature dealing with feminine deities has appeared. Some of these studies examine evidence from the so-called Great Traditions and focus on literary materials. Others are concerned with pre- or non-literate evidence, particularly archaeology. At times, these studies converge with feminist or New Age spirituality. This seminar consists of a critical reading of major selections from this literature, student reports and research into allied topics. It is a course that seeks to survey this relatively new dimension to the study of religion.

 

BIOLOGY

BIOL 247C/D: SPTP- Animal Biodiversity w/Lab

Many conservation efforts focus on preservation and restoration of animal populations. To do this effectively, scientists need to understand how the animals feed, reproduce, and interact with the other species (especially humans) and their environment. This course will cover these and other issues for the vast majority of animal taxonomic groups (invertebrates), which are especially important to the natural function of coral reefs and rainforests, and which influence human agriculture, fisheries, and medical issues.

 

BIOL 248B: SPTP- Food From the Sea

Throughout history human populations and cultures have been shaped by their use of finfish, shellfish, and seaweeds from the marine biome. What species have been exploited, how has this changed over time, and can these marine resources be used in a sustainable way to feed the growing global population? This course will explore these larger questions as it uncovers (a) the biodiversity and ecology of marine fishery organisms (whales, fish, squid, clams, etc.), (b) the impacts of human predation on these organisms, (c) efforts to aquaculture and conserve certain seafood species, (d) health issues related to seafoods, and (d) seafood marketing. This seminar course will be based largely on class discussions and projects will explore sustainable uses of marine and even freshwater species.

 

 

BIOL 335 A/B: Winter Ecology

This field intensive course will examine animals, plants, and fungi in winter.  We will study physiological, behavioral, and morphological adaptations that permit survival during our coldest season.  In our studies of organismal resistance to the cold we will not forget migration and hibernation options.  We will practice the identification of common trees, mosses, and lichens.  We will also track common mammals in order to study winter nests, burrows, and behavior.  Animal energetics and the coniferous tree advantage will be discussed.  We will review local and regional climate data and measure several microclimates under snow, ice, and soil as well as microhabitat abiotic nutrient profiles relevant to winter adaptations.  Footnote: Students must have sufficient winter clothes for extended study in the cold and snow.  Course pre-requisites include BIO 101 + 102 + BIO 221.  Lunch will be eaten in the field.  Students have been able to receive prepackaged lunches from Dining Services on their meal cards.

 

 

 

BIOCHEMISTRY

no descriptions this semester.

 

CANADIAN STUDIES

no descriptions this semester.

 

CARIBBEAN LATIN AMERICAN STUDIES

no descriptions this semester.

 

CHEMISTRY

no descriptions this semester.

 

CHINESE

no descriptions this semester.

 

 

COMMUNITY BASED LEARNING
no descriptions this semester.

 

COMPUTER SCIENCE

no descriptions this semester.

 

ECONOMICS

no descriptions this semester.

 

EDUCATION
no descriptions this semester.

 

 

 

ENGLISH

ENG 247 A/FILM 247 A: SPTP- Writing About World Cinema

In this writing seminar, we will write on the multi-faceted aspects of cinematic art (theme, character, plot, and film technique), using film masterworks as our primary “texts.”  We will explore the films of such international directors as Bergman, Hitchcock, Kieslowski, Kurosawa, and Sturges, in the context of honing analytical skills through rigorous argumentation.  Particular goals for the course include an expanded appreciation for the history and techniques of film, an understanding of the fundamentals of film explication and critique, and the ability to apply concepts and terms associated with film.

 

ENG 247 B: SPTP- Reporting for the Web

This class will meet once a week for a three-hour session with the goal to produce an update for an existing news website (www.TheHillNews.org).  Our meetings in the course of a semester will consist of two equally important parts: the theoretical and the practical.  In the first five weeks of the semester, we will discuss the mission of the journalist in a democratic society.  Students will also learn how to compose basic types of stories in a style particular to new (as well as existing) media, with an emphasis on accuracy, clarity, and efficiency.  In the next ten weeks, we will practice and refine those skills in an atmosphere closely resembling the real conditions in a cyber-era newsroom: covering real events of local, state, national and international importance as they unfold in real time, and all this under the pressure of real deadlines.  Each week, different students will take responsibility for the production of our newscast while reporters assigned to cover particular stories will interview persons with expertise in relevant fields.  We will take into consideration the positions of nationally-recognized authorities, yet we will subsequently contrast them with the views of our own available sources here at St. Lawrence.  The result will be a complex mosaic of socially-relevant events which will be properly localized in order to make them relevant for our own Laurentian community.

 

ENG 347 A: SPTP-Memoir: Fact, Truth and Memory

The memoir has always been one of the most popular forms of writing; everyone loves to read a good personal story, and most people have a least a few good ones to tell, too.  But what makes a story, however good and compelling, worthy of becoming a memoir?  How can you transform your own unique experience into a tale that will resonate with others?  How can you use techniques like voice, narrative arc, chronology and perspective to draw a reader into the world you’re creating, and keep them there?  And what kinds of liberties can and can’t you take in re-creating a world that ceased to exist long ago?  Students will explore these questions – and the often subtle differences between fact, truth, and memory – in the course of writing their own short memoir pieces, and perhaps, as the semester progresses, even venturing into autobiographical fiction.  Admission by permission of instructor only.    

 

ENG 450A: SYE- Stories of Globalization, Migration, Families and Food

Narratives of family and food, often referred to as culinary autobiographies, have much to tell us about patterns of migration, social class and ethnicity, gender, assimilation and resistance. While we certainly want to engage specific aspects of the authors’ lives and food habits, our primary task is to consider the ways in which immigration has changed or “corrupted” what Ray calls “Anglo-Saxon conceptions of the world.” In addition to the culinary autobiographies, we shall read pertinent criticism of the genre, on globalization and on place and space in American culture.

Students will lead discussions of texts, conduct ongoing research and present oral and written summaries of critical essays, pose challenging questions and engage in healthy debate and discussion. As a final project, students will either write a research essay on a relevant topic, or write their own culinary narratives, a work of creative nonfiction that reveals significant familial (genealogical) and critical research.

 

ENG 450B: SYE-The Art of the Novella

Combining the expansiveness of the novel with the compression of shorter fiction, the novella is a rich and flexible narrative form. We will spend the first part of the term reading classic and contemporary examples by authors such as Chopin, Kafka, and Millhauser. We will use these examples, as well as writings on fictional techniques and in-class exercises, to explore the craft of designing longer narratives. In the second part of the term, you will apply your reading and writing practice by composing a series of linked short pieces that, revised and edited together, will result in either a complete novella or a substantial critical essay on one of the novellas studied during the term. You will submit this final project to a journal for possible publication. Peer review of work in progress--through small group workshops and individual conferences--will be an important component in this course. This course is an appropriate SYE for majors in either the literature or writing concentrations.

 

ENG 450C SYE: The Essay Collection

This course will examine the modern phenomenon of the collection of literary essays.  Students will read several collections closely, looking at issues of arrangement and relationship and asking questions about how collections cohere and how the essays within them "speak" to one another and share concerns and obsessions.  Students will consider advantages to the collection over the more commercially-viable book-length memoir, and will also be asked to consider forging a collection of their own existing nonfiction work as final project.

 

 

ENVIRONMENTAL STUDIES

ENVS 247A: SPTP-Sustainable House ESP

This class is a problem/project based learning class, focusing on the Ecological Sustainability Landscape (ESL) property maintained by the Environmental Studies Department.  Students are introduced an underlying problem statement which will drive the problem solving approach for the semester. The class will establish a residential-scale budget based on St. Lawrence County census statistics, and undertake a comprehensive assessment of the ESL property from numerous sustainability perspectives.  The culmination of the course involves the implementation of the project that can quantitatively be shown to have the greatest impact on the overall sustainability of the house, and an assessment of the success of the solution.  Each semester, the efforts of prior classes will be incorporated in to the assessment of the property, resulting in an additive effort to transition the old farmhouse and surrounding property into a more sustainable residential landscape.

 

ENVS 421A: SYE-Directed Readings, Ecosystem-Based Management

Over the past four decades, environmental management has undergone significant shifts in philosophy and practice. Conserving natural resources was once considered the province of technical experts applying scientific knowledge; current practice seeks to involve community members and stakeholders in adaptive process that seeks to achieve interlinked ecological and social goals. This course will examine the theory and practice of adaptive and collaborative management frameworks for addressing environmental problems related to conservation and ecological restoration. Course research will seek to identify issues in the Adirondacks that may be better managed through an ecosystem–based approach. 

 

 

FILM AND REPRESENTATION STUDIES

FILM  247AA: SPTP- Documentary Filmmaking w/Lab

In this course you get to go in two directions at once:  you will study style and technique in the documentary film, and you will make a short documentary film.  In looking at documentary films, we will discuss questions of truth and value as they come into play for filmmakers and filmgoers.  In making documentary films, we will consider how to collect and represent different truths and values.  Films for study will span the history of filmmaking, but will mostly be English-language films.  Readings will range from reviews of films to essays on theory and method in visual anthropology.

 

FILM 234A/ASIA 234A/LTRN234A:  Chinese Literature and Film.

This course provides an overview of Chinese literature and film. The first half of this course surveys traditional Chinese literature with a focus on masterpieces in the golden age of various genres, such as poetry in the Tang, lyric in the Song, drama in the Yuan, and fiction in the Ming and Qing Dynasties. The second half introduces modern Chinese literature with a focus on film, including the representative works by well known writers Lu Xun, Ba Jin, and famous film directors such as Zhang Yimou, Chen Kaige, Wang Xiaoshuai, and others. This course aims at enhancing students’ interests and skills in reading and analysis of Chinese literature and film, and it also seeks to improve students’ understanding of the history, society, and culture of China. All works are read in English translation. Also offered through Literature in (English) Translation, Film Studies, and Asian Studies.

 

FILM 247 D/ GNDR 247D/ ASIA 247 D: SPTP-Gender East and West

Often we can learn the most about our own culture by comparing it to another culture, and this is certainly true when we study women and men.  Although a couple of countries in East Asia have approached the U.S and Europe in economic development, the East and West tend to have different gender relations. Through a careful examination of popular cultures—primarily films—this course will compare modern gender relations in selected eastern and western countries, with an emphasis on Japan and the U.S. Tracing the historical development of gender construction, we will analyze how gender is constructed/reconstructed through cultural representation.  We will examine such questions as: How does cultural representation work to construct gender?  How do representation, nationalism and gender identity work to reinforce each other in each culture? And how have women’s movements contested and changed these gender identities?

 

 


 

FILM 347B: SPTP-Cinema of Disaffection                                                                                          

Representing the social/human condition has been a theoretical concern for film theorists, filmmakers, and film critics. On the one hand, filmmakers draw heavily on film’s photographic ability to capture the social conditions of a character’s ‘reality’ and thus create empathy towards that character. On the other hand, filmmakers manipulate the real through editing, special effects and narrative to produce films that allow audiences to satisfy their own desires and fantasies through voyeurism and identification. Blending a discussion of cinematic forms and sociological concerns this course will look at how the human condition is represented in both filmmaking and film criticism. It will look at how film depicts human suffering, alienation, and exploitation, and the social conditions that produce them, as well as the possibilities for transcendence. The course will focus on transnational cinema thatexplores the lives of disaffected persons. We shall look at films by Scorsese, Campion, Godard, Tamahori, Herzog, Meirelles, Lee, Lynch, Ki-duk Kim, Wong Kar-Wai and others.

 

FILM 348 A: SPTP-White Guy Flicks.

“Chick flick” is a derisively-defined genre of films, a grouping that assumes that the movies within it are similarly-structured, probably melodramatic, and somewhat predictable in their celebrations of the protagonists’ nuanced sensibilities in a world otherwise devoid of feelings.  This class will concentrate on a little known counter-genre, the White Guy Flick: that is, upon a number of very great 20th century films that are, in their own ways, similarly-structured, incontestably melodramatic, and somewhat predictable in their celebrations of the protagonists’ toughness and resiliency in the face of a meaningless universe.  Directors to be studied include Chaplin, Welles, Fellini, Hitchcock, DiSica, Reed, Ford, Bergman, Scorsese, Altman, Kubrick, Coppola, Boorman, Cimino, Allen, Fincher, Ramis, Coen, and Tarantino.  Although the course is thematically organized, it will also assume that students bring a sophisticated knowledge of film technique as one of the essentials to the understanding the films’ affirmative projections of ideal (and sometimes less-than-ideal) maleness.

 

 

FINE ARTS

FA 212 A/ASIA 212A: Icons-Islamic Architecture

This course critically examines the past and contemporary reception of an icon of Islamic architecture – the Taj Mahal – in art, politics, and society. Since its construction as a tomb of an influential empress in 17th century India, the Taj has become an object of fantasy for 18th century European travelers, model for British colonial architecture, major tourist attraction, and source of inspiration for visual artists and art collectors, the advertisement industry, film makers and musicians all over the world. Today its site is heavily contested by religious and political groups with competing interests, archeologists, and conservationists. After studying the synthesis of styles and techniques contained in this exceptional monument, we will use the Taj to discuss the political role of monuments in general and to think about gender roles in Islam, the place of Islam in contemporary India, effects of tourism and pollution, and issues of cultural heritage and identity.

 

FA 248 A: Experimental Vessels

Primarily a course exploring the creative and sculptural possibilities of hand built and wheel thrown vessels, this course will also explore the narrative and pictorial effects achieved through the manipulation of the vessel's surface via glazing, carving, drawing and other methods. A very high productivity rate will expected from students in this class. Prerequisite: FA 121 or permission.

 

FA 319/ASIA 319A: Gender Issues in Asian Art

This upper level, seminar-style course explores gender issues in relationship to the visual arts in Asia. In class students discuss, and debate about, art historical literature that applies feminist theories to interpret historical examples of Asian art and contemporary Asian art in global contexts. Major themes include: the representation of gender relations in art, architecture, and film, the influence of gender constructs on the making and viewing of art, changing roles of women in society, and the relationship of gender, art, and religion. No pass/fail option available

 

 

FRANCOPHONE STUDIES

FR 248A/ AFS 248B: SEM- Wo/manhood and Nation-Building

What roles do African men and women play in the making and unmaking of the nation? How does the personal overlap with the political and the national? Through a close examination of Francophone African novels and films, this course explores the connection between manhood, womanhood and nation. We will look at Africans as individuals and collective groups and discuss the extent to which their roles and relationships in the family and in the community shape the nation’s destiny. In our discussions we will take into account the categories of gender, class, and sexuality, and the cultural and historical contexts into which different actors play. The texts to be studied are: Mariama Ba’s So Long A Letter (1981), Calixthe Beyala’s The Sun Hath Looked Upon Me (1996), and Malika Mokeddem’s Of Dreams and Assassins (2000). The films are Adama Drabo’s Taffe Fanga (Skirt Power) (1997) and Ousmane Sembène’s Xala (The Curse) (1975).

 

FR 426 A : Aventures et Mésaventures des Africains en Europe

Malgré une forte médiatisation et une profusion de récits sur les conditions infernales des immigrés Africains, l’Europe continue d’être un pôle d’attraction.  Quelles sont les différentes raisons qui poussent les Africains à aller en Europe? Comment survivent-ils les dures réalités de l’immigration? Est-il plus difficile pour un homme ou pour une femme de vivre en exil? Pourquoi l’Europe persiste à être un mythe dans la période postcoloniale? Ce cours se propose de réfléchir sur ces questions en étudiant les romans suivants: Un nègre à Paris (1959) de Bernard Dadié, Bleu, blanc, rouge (1998) d’Alain Mabanckou, et La préférence nationale, et autres nouvelles (2001) de Fatou Diome. Nous regarderons également les films suivants: La Noire de (1966)  d’Ousmane Sembène, Pièces d’identité (1998) de Mweze Ngangura, et Après l’océan (2008) d’ Éliane de Latour. Nous analyserons les principales causes qui expliquent les fantasmes d’un Eldorado européen, les défis que les Africains doivent relever pendant leur traversée du “désert” et les caractéristiques de leur transformation identitaire. Nous mettrons en relief les perspectives des auteurs par rapport au contexte historique de leurs productions littéraires et cinématiques.

 

GENDER AND SEXUALITY STUDIES

GNDR 247 D/ ASIA 247 D/ FILM 247 D/: SPTP-Gender East and West

Often we can learn the most about our own culture by comparing it to another culture, and this is certainly true when we study women and men.  Although a couple of countries in East Asia have approached the U.S and Europe in economic development, the East and West tend to have different gender relations. Through a careful examination of popular cultures—primarily films—this course will compare modern gender relations in selected eastern and western countries, with an emphasis on Japan and the U.S. Tracing the historical development of gender construction, we will analyze how gender is constructed/reconstructed through cultural representation.  We will examine such questions as: How does cultural representation work to construct gender?  How do representation, nationalism and gender identity work to reinforce each other in each culture? And how have women’s movements contested and changed these gender identities?

 

GNDR 248A Money, Marriage, Family and the Law
This course begins with some basic education on the management of personal money matters throughout one's life and various legal considerations including the potential use and abuse of bankruptcy proceedings. We then learn about issues of sexuality, sexually transmitted disease and cohabitation with related legal considerations.  The focus then turns to marriage, family and parenting plus the legal issues of separation, dissolution/divorce, child custody and the many legal disputes that may emerge in the course of those situations.  Consideration will be given to the importance of life. Disability and health insurance as well as estate planning. In this process we look at banking, investments, the necessity of having a will.

 

GNDR 348C Gender Studies, Sexual Diversity and the Law
The class begins with the play SPRINGTIME AWAKENING about the journey of a young couple as they discover nature on a path that lead to disaster as the result of ignorance in matters of sexuality.  The focus then turns to the abortion cases leading up to the landmark 1973 opinion by Justice Blackman with a 7 - 2 majority in ROE vs.WADE establishing a right to privacy as well as the cases that followed and are still to come. The focus then shifts to issues of sexual diversity and another landmark decision in LAWRENCE vs. TEXAS that reasserts the right to privacy. The course concludes with a look at the same-sex marriage issues and cases.

GNDR 352 A: Transnational Feminist Activism

This course will examine social, economic, political and cultural projects throughout the world organized by women to address the concerns of women. We investigate specific groups that identify themselves as feminist as well as the various feminisms that define them. Equally important for our study are those groups that reject or challenge the label of feminism as a Western and therefore, imperialist or neo-imperialist ideology and present alternatives for women’s collective action. Finally, we will explore the possibilities and practices of transnational or women’s global activism. To that end, you will each participate in a community-based learning project with a local organization engaged in feminist activism. Prerequisite: GNDR 201.

 

GEOLOGY

no descriptions this semester.

 

GERMAN STUDIES

GER 201A: Advanced German

This course is intended to make the transitions from intermediate German to a more advanced level of competency in the basic language skills: oral comprehension and expression, writing and reading comprehension , vocabulary building.  It is intended for students who have completed German 104 or who have excelled in German 103 at St. Lawrence as well as for students who have successfully completed the intermediate level of high school German.  Students will work with a variety of short literary and other cultural texts of varying degrees of difficulty, as well as with two films covering a range of primarily twentieth century topics and themes.  This work will be accompanied by a review of some of the more complex aspects of German grammar. 

 

 

GLOBAL STUDIES

GS218 A: Cities and Globalization

 Cities play a critical site for reflecting and embodying the myriad and complex processes of globalization, challenging the  nation-state’s role in circumscribing people’s life and activities. A small number of cities, known as ‘global cities,’ serve as the  control points for the organization of new forms of economic,  political and social geographies associated with global processes. Other large ‘world’ cities in both the developed and the developing world are incorporated into the global urban system through the  economic, cultural and political power they exercise at different  scales – local, national, transnational, regional, and global. The  objective of this course is to critically understand and relationship between cities and globalization, and to appreciate cities as sites and spaces of struggle and contestations associated with processes of globalization. Though interactive discussions of books, articles,  films, case studies from different parts of the world, the course will explore the following themes: globalization and urbanism; migration and labor markets; representations, identities, bodies and cultures; and governance, democracy and citizenship in cities.  Students will undertake a detailed study of a selected and approved city; write a research paper and give and oral presentation to the class.

 *NOTE: "* This course has a required travel component to Toronto - April 22-25th. The university will cover room, board and intercultural events for this travel component. Students will pay for travel to the site (approximately $100). Students on financial aid may apply to the Center for International and Intercultural Studies (CIIS) preferably at the time of fall registration or at the latest before the second meeting of the course. Applicants must provide a copy of their financial aid award notification. International students who enroll in this course and need a visa to travel to Canada must apply for a Canadian visa preferably over the Winter  Break, and no later than second week of classes, as it can take up to four to six weeks to get a visa"

 

GS 248 A/ HIST 248 A: SPTP-The Ottoman Empire and the Early Modern World

This course examines the rise and development of the Ottoman Empire from its origins in early 14th Century Anatolia to the end of the 18th Century.  In addition to tracing the development of political and military institutions, this course will explore changing social relations, with particular attention to the role of women and non-Muslim populations in Ottoman society.  A particular emphasis of this course will be the relation of the Ottoman Empire to wider global trends and its diplomatic, military, and cultural interactions with Europe.

 

GS 347 A: SPTP-Global Public Goods: Exploring Solutions for the 21st Century

This course is primarily for upper level students from any department who want to explore possible solutions to problems that are global in nature: disease and health care crises, financial crises, the effects of ecological destruction, ageing and social security challenges, state and non-state actor violence, and migration to mention only a few issue areas. It recognizes and taps into increasing attempts to initiate, coordinate and execute solutions to problems that many understand as being not just local in origin and implication, but also connected with other sites, across the world. Framing issues in the language of global interests, the metaphor of "public goods" is an approach to seek commonalities with an eye towards action, and in this sense the objective of the course is for students to be familiar not just with crucial issues, but also how to approach them so that forms of cooperation can be worked on and achieved. PREQUISTE: GS 101 or Instructor's permission.

 

GS 347B/ PCA 312A: SPTP-Democracy and the Public Sphere: From Athens to Philadelphia and Beyond
How does the social reality of a modern global megalopolis connect with the democratic ideals of republican Rome, Renaissance Venice, the early modern London, republican Paris and Philadelphia? Each one of the above-mentioned cities dominated the republican imagination of the Western world at some point in history and consequently may well serve us as a study case. We will explore the ways public life reflected a contemporary ideal of a well-ordered society. We will analyze the evolving technologies of communication which supported such systems internally and at the same time connected them to the larger webs of global communication networks.  We will explore urban geographies of each of the cities above in the hope that their landscapes may reveal something also about the character of their inhabitants. This interdisciplinary class is designed to meet requirements of the fields of communications studies, global studies, history, political economy and urban geography.

 

 

GOVERNMENT

GOVT 270 A: The Financial Crash of 2008

The deep recession of 2008 is the largest economic collapse since the 1929-1933 Great Depression. In this course we will examine the roots of the recession, the extent of its impact, the failures of investments and commercial banks and the attempts by the Bush and Obama Administrations to cope with the extensive damage to the economy, financial institutions and the American public.  Students will examine these issues through oral class reports and research papers through the perspective of political economy.

 

GOVT 290A/ ASIA 290A: SEM- Asian Politics

Asia is currently one of the most dynamic and consequential regions in the world. This course looks at Asia through the lens of international political economy, region building, the colonial experience, encounters with the “west,” and regime orientation (democratic or authoritarian), to make sense of this vast and diverse area. In frequently moving between framework and individual country case(s), this course aims to provide students with historical and analytical frameworks to better understand Asia as a region and its role within the global context. An equally important aim is to provide the conceptual and organizational tools necessary for students to appreciate good research and to begin practicing the craft themselves.

 

 

GOVT 322A/ASIA 322A: Govt & Politics People Republic of China

This course is designed to be a comprehensive introduction to the politics of the People’s Republic of China. The course first introduces the student to the political geography of China, its current perceived status in the international community, and essential background history for understanding Chinese politics today. Next, it investigates the nuts and bolts of contemporary Chinese institutions to get a good feel for how the Chinese conceptualize and practice politics. Finally, the course examines important issues and trends facing China at present. Throughout the course, contemporary vignette pieces will be offered both to stimulate students’ thinking for a research project and to connect theoretical frameworks presented in class to current problems facing China. The fundamental objective of this course is to provide students with a basic fluency in the politics of China.

 

HISTORY

HIST148 A/GS 148A: SPTP-The Formation of the Modern Middle East, 1500 – Present

This course will examines the changing nature of Middle Eastern societies in the modern era. Topics to be addressed will include Ottoman and Safavid institutions, Imperialism and the Eastern Question, the development of nation states, the role of non-Muslims in Middle Eastern societies, the Cold War, Pan-Arabism, the Arab – Israeli conflict, Women’s Rights and the headscarf issue, and the development of Political Islam.Texts will include academic works, fiction, and film.


HIST 248 A/GS 248 A: SPTP-The Ottoman Empire and the Early Modern World

This course examines the rise and development of the Ottoman Empire from its origins in early 14th Century Anatolia to the end of the 18th Century.  In addition to tracing the development of political and military institutions, this course will explore changing social relations, with particular attention to the role of women and non-Muslim populations in Ottoman society.  A particular emphasis of this course will be the relation of the Ottoman Empire to wider global trends and its diplomatic, military, and cultural interactions with Europe.

 

HIST 299 B: SEM- Gender and Sexualities in European History

This course is a pro-seminar designed to introduce the methodologies of the discipline of History.  This particular section uses the works of scholars who study the historical constructions of gender and sexualities in modern European history from the period of the Enlightenment through Nazi Germany to the crisis of national identity in post-colonial Europe.  We will utilize the various tools of historians, such as document analysis, critical reviews and particularly historiography as means of evaluating this subject and your comprehension of it.

 

HIST 299 C: SEM-World War I

This seminar offers students an opportunity to learn about and practice the tools of the historian’s craft. It is geared toward history majors and minors, for whom it is a requirement, though the subject matter may also interest non-historians. Through an in-depth investigation of historical scholarship, we will explore the Great War’s causes, its course, and its effects on soldiers and civilians, men and women, workers, intellectuals, and artists. This cataclysmic war shattered the European political, social, and cultural systems of the nineteenth century, giving birth to the tumult and upheaval that defined the twentieth century. In learning about the war, we will focus on areas of scholarly debate, concerning such issues as responsibility for the war’s outbreak, its role in transforming gender norms and relations, its influence on modernist art, and its relation to the growth of anti-colonial movements. Students’ work over the semester will culminate in a paper that engages with historians’ understandings of one specific facet of the war.

 

HIST 348 A: Palestine and the Arab-Israeli Conflict

This class explores the development of two competing nationalism movements, Israeli and Palestinian, from their roots in the nineteenth century to the present day. Beyond gaining an understanding of the development of “the conflict,” this course will pay particular attention to the development of both Israeli and Palestinian identities and societies. Other key considerations will be the interaction between politics and history and an examination of some of the key historiographical debates in the field, including the wars of 1948 and 1967, the peace process, and the “authenticity” of national constructions and nationalist claims. Texts will include secondary and primary source readings, novels, and films.

 

 

 HIST 474 A: SYE-The United States in World War II

In this advanced and intense reading and research seminar for senior history majors and minors, we will examine social, cultural, political, and military aspects of the United States in World War II, including women and gender (masculinity as well as femininity), racism and race relations, children's participation in the war effort, the internment of Japanese Americans, the ethics of strategic bombing, and the decision to use nuclear weapons.  The ultimate goal of this seminar is for each student to produce a substantial original research paper, using a combination of primary and scholarly secondary sources, on a specific aspect of the history of U.S. involvement in World War II.  In addition, you will complete a number of assignments along the way.  We will spend the first few weeks of the course reading (rather extensively) and discussing the assigned course texts.  This will give everyone a common grounding in the basic history of the United States in the war.  You’ll spend the remainder of the semester developing your own focused project.  Even though you’ll put the bulk of your energies toward this project, you also will give attention to the projects of other students in this course.  This will entail a) close reading of the work of other students, and b) attendance at and engagement with presentations by all your classmates

 

HIST474 B: SEM - Civil War

A course primarily for history majors and minors, this seminar addresses the complex and fascinating business of “doing” Civil War history. Rather than following a singular narrative of the Civil War, the course explores how historians approach the war and allows students to pursue their own interests. Initially, we will address major issues around the phenomenon of the war including the allure of the war for Americans, what constitutes the “war” itself, what caused the war, and why the South lost and why the North won. We’ll do some common readings on these subjects. The bulk of the semester will be devoted to the process of researching and writing a lengthy paper. We’ll work on crafting a topic, finding appropriate primary and secondary sources, writing a historiography, doing the research and writing the paper itself, and presenting your research in panels as historians do at professional conferences.

 

 

LITERATURE IN TRANSLATION

LTRN234A/FILM 234A/ ASIA 234A/:  Chinese Literature and Film. This course provides an overview of Chinese literature and film. The first half of this course surveys traditional Chinese literature with a focus on masterpieces in the golden age of various genres, such as poetry in the Tang, lyric in the Song, drama in the Yuan, and fiction in the Ming and Qing Dynasties. The second half introduces modern Chinese literature with a focus on film, including the representative works by well known writers Lu Xun, Ba Jin, and famous film directors such as Zhang Yimou, Chen Kaige, Wang Xiaoshuai, and others. This course aims at enhancing students’ interests and skills in reading and analysis of Chinese literature and film, and it also seeks to improve students’ understanding of the history, society, and culture of China. All works are read in English translation. Also offered through Literature in (English) Translation, Film Studies, and Asian Studies.

 

 

MATHEMATICS

no descriptions this semester.

 

MUSIC

MUS 245 A: Musics of Eastern Europe.

In this course, we examine and analyze the music of a region where social and political life has changed dramatically and frequently during the last 150 years. From the revolutions of 1848 to the post-communist struggles of the 1990s, music and musicians often have been drawn into debates about national and regional identities. We proceed from the assumption that notions of identity and difference are evident not only in discourse about musical practices, but also in musical sound itself. This course was previously listed in the course catalog as MUS 345.

 

MUS 330 A:  “Isn’t it Romantic?” Songs for Theatre, Songs for Salon (with travel)

This course explores songs from New York City’s “Tin Pan Alley” — to be selected from such songwriters as the Gershwins, Richard Rodgers and Irving Berlin — and songs from earlier times and places, such as Franz Schubert in early 19th-century Vienna or Thomas Campion in Elizabethan England. Primary focus is on the music and the lyrics, but we also study the social and cultural contexts of these songs. Some required concerts and video screenings outside of class time. Prerequisite: Music 100/101, 200/201, or permission of the instructor. This course was previously listed in the course catalog as MUS 230.

This course has an optional travel component to New York City 5-8 March (Fri.-Mon. of spring vacation). The university will cover room, board and intercultural events for this travel component. The Music Department will provide bus transportation to NYC; students will pay for travel from the city. In addition, students will pay $35 toward their ticket to a musical theatre show in NYC.

 

 

NEUROSCIENCE

no descriptions this semester.

 

NON DEPARTMENTAL

no descriptions this semester.

 

OUTDOOR STUDIES

no descriptions this semester.

 

PEACE STUDIES

PEAC 347A/ PHIL 347A: Philosophy of Peace
In this course we explore the meanings of terms such as peace, justice, conflict, violence, pacifism, conscientious objection, and civil disobedience, and we will consider the relationships among these terms.  We will also consider questions such as:  Is it possible to create a truly just world?  Is it possible to respond to serious conflict or oppression nonviolently?  Is the use of violent force ever justified?  Is a "just war" possible?   We will read classic works by philosophers and others on these topics. Pre-requisite: PEAC 100/PHIL 120: Introduction to Peace Studies, or permission of the instructor.

 

PERFORMANCE AND COMMUNCATION ARTS
PCA 212A Intro to Mass Media:

 According to industry estimates, today's adults spend more than half their waking lives with the media - more time than they spend sleeping.  Some form of mass media touches you every day - economically, socially and culturally.  The mass media can affect the way you vote and the way you spend your money.  Sometimes the mass media influence the way you eat, talk, work, study and relax.  This is the impact of mass media on American society.  Today's American society has inherited the wisdom and mistakes of the people who work in the mass media industries and the society that regulates and consumes what the mass media produce.

 

PCA 312A/GS 347B: SPTP-Democracy and the Public Sphere: From Athens to Philadelphia and Beyond
How does the social reality of a modern global megalopolis connect with the democratic ideals of republican Rome, Renaissance Venice, the early modern London, republican Paris and Philadelphia? Each one of the above-mentioned cities dominated the republican imagination of the Western world at some point in history and consequently may well serve us as a study case. We will explore the ways public life reflected a contemporary ideal of a well-ordered society. We will analyze the evolving technologies of communication which supported such systems internally and at the same time connected them to the larger webs of global communication networks.  We will explore urban geographies of each of the cities above in the hope that their landscapes may reveal something also about the character of their inhabitants.This interdisciplinary class is designed to meet requirements of the fields of communications studies, global studies, history, political economy and urban geography.

 

PCA 313A: SPTP-Dramaturgy: The Old and the New

In contemporary theatre practice, a dramaturg is someone who functions variously as an ally and assistant for the playwright, the director, the actors, and the audience.  Typically, the dramaturg contributes research and provides additional perspective(s) to make a theatre production as powerful, moving, and successful as it can be.  Diverse models for the dramaturg abound: Joel Schechter sees the ideal dramaturg as someone “actively involved in the cultural and political affairs of the day,” Geoffrey S. Proehl describes the dramaturg as a “midwife assisting at the birth of a new work of art,” and Martin Esslin envisions the dramaturg as “a kind of court jester, licensed to be as rude as possible.”  In this course, students will have the opportunity to try on many of these roles.  Students will function as new-play dramaturgs who aid this semester’s playwriting students, and will also contribute dramaturgy to the department’s spring mainstage production.  Other major units will include how theatre companies select production seasons; the politics and practice of adaptations and altering a playwright’s script; and the careful research and creative thinking necessary to stage plays from hundreds and even thousands of years ago so as to teach and to please audiences today.

 

PCA 313B: SPTP-The History of Popular Entertainment

In this survey of popular entertainments through the centuries, we’ll examine the history and reception of many different Western performance forms that have delighted audiences, even though critics, scholars, and conventional theatre practitioners have disparaged them.  Two texts will guide our initial thinking about the divide between “art” and “popular entertainment”: Steven Johnson’s Everything Bad is Good for You and Lawrence Levine’s Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America.  Among other topics, we’ll examine ancient Roman paratheatrical entertainments (such as gladiatorial combat and staged sea battles), Italy’s commedia dell’arte (which began during the Renaissance), and the circus, vaudeville, and minstrel shows of nineteenth and twentieth century America.  Even as we look backwards through history, we’ll continue to address the popular entertainment forms, styles, and venues of today, evaluating the utility of analogies between (for example) Roman chariot racing and NASCAR, vaudeville and YouTube, and melodramas and Melrose Place.

 

PCA 313D/E Theatre for Youth w/CBL (.5 credit)

Students will explore the use of theatre games and acting exercises in order to teach basic acting and educational skills to local elementary school children.  Skills include physicalization, vocalization, imagination, public speaking, concentration, problem-solving, collaboration, listening and characterization.

 

PCA 317A: Performing Poetry

Milktongue, goatfoot, and twinbird are the words that poet Donald Hall uses to describe what the voicing and embodying of poetry feels like to him.  It is something with taste and texture in our mouths, something we feel in our bodies, something that sings and chants and fills the world with sight and sound.  In this course we’ll be focusing on the performance of various poetic forms; traditional fixed forms, open verse, concrete poems, found poems, and others. We’ll keep adding to Hall’s list of ways to describe just what happens when poetry returns to its roots in the oral tradition. Together, we'll read, write about, and perform a number of poems and in the process, we'll examine the intersections of contemporary poetic theory and performance theory.

 

 

 

PHILOSOPHY

PHIL 247A: SPTP – American Philosophy

This course examines the great movements of American Philosophy: Transcendentalism, Pragmatism, and Process Thought.  Special attention will be given to C. S. Peirce and A. N. Whitehead.  The class will entail a global, multicultural dimension via the attempts of many Process thinkers to explain non-Western thought in terms of Whitehead's philosophy.

 

PHIL 347A/ PEAC 347A: Philosophy of Peace
In this course we explore the meanings of terms such as peace, justice, conflict, violence, pacifism, conscientious objection, and civil disobedience, and we will consider the relationships among these terms.  We will also consider questions such as:  Is it possible to create a truly just world?  Is it possible to respond to serious conflict or oppression nonviolently?  Is the use of violent force ever justified?  Is a "just war" possible? We will read classic works by philosophers and others on these topics. Pre-requisite: PEAC 100/PHIL 120: Introduction to Peace Studies, or permission of the instructor.

 

PHIL 347B: SPTP – Aesthetics

This course examines the basic categories and arguments related to the philosophical study of value and beauty.  Special attention will be given to the Whiteheadian theory of value, and historical examples from the arts both Western and Non-Western will be investigated.

 

 

PHYSICS

No descriptions this semester

PSYCHOLOGY

PSYC 256 A: Health Psychology

Health psychology is an applied field devoted to understanding psychological influences on health and illness in our society.  This course examines a variety of social and behavioral factors that affect our physical well being, including the impact of life stress on the immune system, the influence of personality factors on specific illnesses and the relationship between doctor -patient interactions and adherence to medical advice.  Other topics include obesity, heart disease, stress management and behavioral therapy.  Prerequisite:  Psychology 100 or 101

 

 

 

 

 

RELIGIOUS STUDIES
REL 282A/ ASIA 282A: Indian Epics

 To convey the foundational importance of India‘s two best-known epics, the scholar A.K. Ramanujan once remarked, ―In India and Southeast Asia, on one ever reads the Ramayana or the Mahabharata for the first time. The stories are there, ‗always already‘. In order to understand their significance in South Asisa and beyond, and to appreciate their richness and depth, this class will examine the Mahabharata and the Ramayana in their classical Sanskrit versions (abridged and translated!) as well as in oral, vernacular, performed and artistic versions. It will also consider several other South Asian epics, such as the tales of Pabuji and Palnadu.

 

 

SOCIOLOGY

SOC 248A/ AFS 248A: SPTP-Making of Modern Africa

Being at the center of the Atlantic complex, Africa has always been part of the modern world. At the same time, Africa is imagined as a perpetual late-arrival to the modern condition. As much as the two positions appear to be contradictory and mutually exclusive, it is important to see them as two sides of the coin. It is Africa’s position in the origin of the modern world that also turns it into a permanent new comer. Conversely, it is the congenital infantilism of Africa that underscores its relational locus in the genesis of the modernity.  Based on this underlying dilemma, this course follows the historical trajectory of the making of modern Africa. The course examines 19th century notions such as: Mission of Civilization, the White Man’s Burden, 20th century programs such as Development, Modernization, Dependency and 21st century ideals of Democracy, Human Rights, Rule of Law and Transparency.

 

SOC 248B:  SPTP-Ecological Societies

This course examines societies that have been ecologically sustainable as well as smaller scale models and attempts at creating sustainable societies.  What makes societies sustainable?  What insights can we gain from these societies?  What conflicts are there between sustainable societies and unsustainable ones?  Through the examination of these questions we will develop an understanding of how the world can build toward an environmentally sustainable future.

 

SOC248C/ASIA248C: SPTP-China's Market Transition

The last two decades of the 20th century brought about unprecedented political and economic changes to the former communist countries of Eastern and Central Europe and China. The magnitude of these changes is extraordinary, affecting close to a fourth of the Earth’s land area and one out of every four people on the planet. Although traditionally not referred to as developing countries, China and those former communist countries have undoubtedly embarked on the path of capitalist market development, with economic and political changes affecting their societies in the most profound ways. This course will focus on China’s transformation from a planned economy to a more market-oriented economy, and examine the changes in the social fabrics in tandem with the economic transition. We will also compare China with the former communist countries in Eastern and Central Europe. Specifically, we will look at some of the theories of market reforms formulated by sociologists, examine the process of privatizing formerly state-owned enterprises, and discuss the role of entrepreneurs and social networks. We will also address the effect the reforms have had on social classes, genders and ethnic minorities.

 

SOC 248D: SPTP-Women’s Health and Aging

This course will examine current issues related to the health and aging experiences of women in America and around the world.  Special emphasis will be placed on the challenges women face as they experience various life transitions.  A historical overview of women’s health and aging and theoretical frameworks used to understand the issues women face as they age will be presented.  The social, historical, demographic, psychological, cultural, political, and health factors related to women’s aging process will be discussed.  Additional topics include the changing perceptions of women’s aging, body image and ageism, employment and retirement, caretaking and social support, housing and long term care, widowhood, and death.  The implications of changing demographic characteristics of the aging population in the United States will be considered especially with regard to the consequences for women.

 

SOC 348A:  SPTP-Strategies of Social Protest

Much of the progressive social change achieved in the U.S. in the 20th Century was a direct result of the legal and extralegal protest activities conducted by social movement organizations. This course explores the social origins and impacts of 20th century social movements with an eye toward examining their lessons and legacies for contemporary protest movements. Through an analysis of resource mobilization capacity, issue framing, ideology, power analysis, strategic and tactical choices, organizational structure, leadership and rhetoric, as well as political opportunity structure, the course seeks to illuminate how and why these movements formed, why they chose the courses of action that they did, and how power holders and social institutions responded. The U.S. labor, civil rights, women's rights, and American Indian movements will serve as case studies for our analyses.

 

SOC 348B:  Health Care Systems Around the World

This seminar will examine a variety of health care systems, ideologies, and philosophies from a number of cultures and countries.  We will read about, discuss, and consider a range of examples from the highly bureaucratic and expensive one in the United States to indigenous African health care.  We will learn how to examine and compare social policies in different countries, and discuss differential impacts of such systems. As well as considering the specific health care systems of individual societies, we will also  take into consideration health issues and approaches which are more global in scope.

 

SOC 348C: Organizational Sociology in a Global Economy

Organizations are an important component of the modern world and our daily lives. We deal with them everyday, in one way or another. This course will familiarize advanced undergraduates with major themes in the sociological study of organizations. It will offer a critical examination of different theoretical approaches, and apply them to the      analysis of social reality. Course material is geared toward students’ application of theories to different forms of organizations and to current events. Some of the questions that will be addressed are: Why do organizations exist? How are organizations managed? How do organizations affect our lives? Are organizations interrelated? How are they tied to the larger social context? How have organizations changed over time and across different cultures?

 

 

ESTUDIOS HISPáNICOS (SPANISH STUDIES)

SPAN 448A    Colonial Andean Discourses:  domination and Resistance in Sixteenth  and Seventeenth Centuries Peru.

This course will study early modern Andean historic, geographic and travel accounts and the historical context that produced them.  Through important works of Colonial Latin American literature, dealing particularly with the Inca empire and the Viceroyalty of Peru as entities of power, participants will examine the European, Mestizo and Indigenous perspectives of the writers on European conquests and colonization; race, gender, and class dynamics, and the visual and written representations of the other; Catholic Christianity and extirpation of idolatry, and the forms of agricultural and labor exploitation introduced by European conquerors. The course includes a required travel component to Peru over the spring recess, providing students with a unique opportunity to visit sites of historical importance where the contact and conflict of Inca and Spanish cultures, following the trauma of the conquest, are still palpable.  Evaluation will be based on three short papers and a final essay.

  This course has a required travel component to Lima and Cusco, Peru, from March 6,to March 13. The university will cover room, board and intercultural events for this travel component.  Students will pay for travel to the site (approximately $750.00 for New York / Lima/ New York and approximately $268.00 for Lima /Cusco/ Lima).  Students on financial aid may apply to the Center for International and Intercultural Studies preferably at the time of fall registration or at the latest before the second meeting of the course. Applicants must provide a copy of their financial aid award notification.

 

 

 

 

AFRICAN AMERICAN STUDIES

no course descriptions this semester